Natural Pigments, Day 4

Mt. Blanca

Got up this morning and knew I wanted to paint snow. Since it is NOT falling but rather it is MELTING, paint might be my best hope…

When I hike, I take photos and some of the photos are essentially sketches. Some artists think painting from photos is wrong, but I don’t think there’s any moral imperative about how someone paints. I usually take photos of places I love, most often places that are familiar to me, places I have actually SEEN. The camera helps me compose. I don’t draw much. I’m a painter and even when I “sketch” it’s going to be kind of painterly. I dunno’ why. My wonderful drawing teacher, Jean Schiff, noted one day, “You’re a painter.” From then on, in our drawing class, I drew with inch-wide brushes carrying wet black or white paint to the cardboard that had replaced my drawing tablet. It wasn’t perfect, but…

When I sketch, it’s with colored pencils — watercolor pencils — always with the thought of dragging water over the lines.

So, yesterday I took a photo of a view that was completely surprising. Sometimes the light and wind has the visual effect of bringing the mountains closer visually. That happened yesterday.

The colors I used today that are not part of the natural pigments set are cerulean blue, which I underpainted in the lower portion of the sky, zinc white to tint the blues, for the snow on the ground and light in the sky, and Gamblin’s Radiant White for the snow on Mt. Blanca. Everything else is from the set of natural pigments. The painting is small, 5″ x 7″.