Part One, 1956
I am 4 or 5. Small enough to sleep in two arm chairs pushed together, facing each other. One of the arm chairs has velvety grey upholstery in a swirly design. The other, my favorite, is red velvet. I sleep the strange sweet sleep of that place, of childhood. Outside the window is cold Montana, the clear dark pierced by stars and lit by a distant radio tower. Some nights there’s dance music coming from the Red Barn down the road. Among the songs is Gene Autry singing “Rudolf the Red-Nosed Reindeer.” Trains whistle through the night.
It’s still dark when I hear her, coming out of her room, humming softly, tying on her apron, buttoning her sweater. She walks to the kitchen and lights the stove. I smell the fire catch. She comes back singing.
It came upon a midnight clear, that glorious song of old.
“Are you awake, Martha Ann?”
“You want to go with me to get the eggs?”
“Well, get up then. Put on your socks and your boots and your coat. Be quiet!”
Peeeeeaaace ON the Earth, goodwill to men
In the back room she reaches for her coat and a wool head scarf. She ties it over her ears.
“Put this on your head or you’ll catch your death.” She hands me a paisley scarf. Well, she has good reason to warn me. Already by then, I’d nearly caught my death in more than one Montana winter.
Of angels bending near the earth, to touch their haaaarrrrps of GOLD!
The snow crunches under our boots. She opens the hen-house door, “Shoo, shoo,” she says to the hens, “Shoo!” She reaches under the sitting birds, putting their eggs in our basket. “There now. We can make breakfast for Helen and them when they wake up.”
“Helen and them” is my mom, dad and brother — and anyone else who showed up for breakfast.
The snow crunches on our way back to the kitchen. The light comes through the small window of the back room, yellow and human. All around is cold grey/blue light of dim December Montana morning.
And through the cloven skies they come, with peaceful wings unfurled, and still their Heavenly music floats, o’er all the weary world.
I open the door. The kitchen now warmed by the stove is friendly in the light. “Set the table, baby. There are,” she stops to count on her fingers, “there are four of you, and Jo and them will be down, that’s four more, set it for nine.” I still have to climb on a chair to reach everything. The big table fills the kitchen with its chairs and benches from all epochs of Montana history. I love the chairs. Even then I know that they are chairs with stories.
Gramma’ lays the bacon slices carefully in the black iron skillet. The December sun struggles over the horizon, appearing as a golden gleam. Blue shadows stalk the trees. Morning.
And all the world send back the song, which now-ow the angels sing!
Part Two, 1979
I snarl at the lousy weather, the hanging gray cold, and all the people, I push through the crowd on Seventeenth Street. After two blocks, I catch up to a crippled blind guy banging his cane against the two-by-four supports of the narrow entrance to a construction sidewalk.
“What is it? What is it?” he screams frantically, “Would somebody please help me? Help me!”
“Damn it,” I think. But I squelch my inner asshole, not because I’m a good person but because clearly going WITH this obstacle is more productive than fighting it.
“It’s a new building,” I tell him, catching up. “They’ve build a covered sidewalk. It’s like a tunnel. Here, take my hand and we can go through it together.”
He tells me he is catching the Colfax bus which is now a block behind us, loading passengers. He is about five feet tall, if that, a little shorter than I. I look at him and see that every aspect of him is wrong. His watery pale sightless eyes, his pinkish hair flattened from sleep, his crooked, red, too-large nose, his feet twisting toward each other just enough to make his stride unsteady. Some of his teeth are gone and his fingers are gnarled. He seems to be my age, in his mid-twenties. His helplessness compels my trust.
“Can you run?” I ask. “Your bus is behind us at a red light. I’ll hold your hand. I think we can make it. There’s no ice on the sidewalk here.” We have a half a block to go and the traffic light behind us has just turned green.
“OK,” he says, and we run to the bus.
“This is fun!” he laughs a snorting little laugh.
The bus driver must know the blind guy because holds the bus at the corner. The man struggles up the steps and shows his pass to the driver. He turns around, facing me. “Merry Christmas!” he says, “Thank you! See you again!”
I raise my hand to wave goodbye, but at the last minute, I put it in my pocket. “Merry Christmas!” I say.
I reach the Presbyterian church on top of the hill just as the carillon begins;
“It Came upon a Midnight Clear, that glorious song of old, of angels bending near the earth, to touch their harps of gold. Peace on the earth, goodwill to men, the Heavenly host proclaimed. The world in solemn stillness lay to hear the angels sing.”
Suddenly my grandmother is alive, singing in her kitchen, and I am only four years old, stretching awake on the bed made for me of two easy chairs pushed together. A Christmas tree stands in the corner of the tiny living room. My mind’s eye sees her in the dark Montana morning wearing her egg-gathering jacket and hat, putting wood in the stove.
“Are you awake, Martha Ann?”
Originally published on December 13, 2015 on Martin of Gfenn